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| Burna Boy and his mother Bose Ogulu |
All hail the graceful king of Afrobeats
Burna Boy is on a mission to remind Africans everywhere about their roots in the continent, and Afrobeats is his tool. At just 28, Burna Boy has a lot of proving to render as an activist demanding accountability from the government for the average man’s sake.He has make a name for himself.
2019 has treated Burna kind. He released his 19-track studio album ‘African Giant’ July this year to rave reviews scoring features from Angelique Kidjo and Damian Marley. There was an international tour as well as a performance at Coachella. He had his “Ja Ara E,” song appear on “The Lion King: The Gift,” album curated by Beyoncé for the movie. In June at the BET Awards, Burna Boy was named Best International Artiste boosting his profile in America significantly and recently in Spain he was named the MTV EME Africa best Musician.
The year has been graceful and kind to him in his music career,Picking his reggae-dancehall vibe from music his father Samuel Ogulu consumed, and Afrobeat music that his grandfather preferred, Burna Boy forged a music identity of his own which is serving him well.
Burna Boy’s mum, Bose Ogulu, was once a dancer for Fela Kuti and Fela Kuti’s first manager was Benson Idonije who is Burna Boy’s grandfather while his father was also friends with the fallen music icon.
| Burna Boy with granddad Benson Idonije |
Burna Boy was only six years old when Afrobeat pioneer Fela Kuti passed away, but his impact on his life through his grandfather and mother’s association with the music legend and activist is undeniable.
“Everyone’s got their hero,” Burna Boy submitted, adding, “For me, that’s my hero.”
At a sold-out Wembley arena, the triumphant tone is set early: a curtain drops and a colossal gorilla is revealed. When its jaw slowly opens, Burna Boy is revealed on its tongue.
Strapped into a harness, he glides through the air from its open mouth to the tip of the stage. Microphone in hand and the crowd screaming under his feet, stretching their fingers to the sky, he moans the uplifting lyrics to the title track from his 2019 album African Giant: “Tell ’em Africa we don’t tire!”
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| Burna Boy |
Other tracks from the album are as enchanting as his introduction. Over 19 songs he mixes Afrobeats rhythms with influences that span R&B and reggae, a blend that is making him the genre’s first global breakout star. Accompanied by a live band and choir, the gig has the feeling of a coronation of Nigeria’s latest musical king.
Killin Dem is captivating, the jittery drums and choppy vocal delivery creating mosh-pit circles like craters across the arena. When Burna Boy screams “Gbese!” during the hook, the craters collapses in on themselves, and 12,000 people vigorously jerk their shoulders to the scattergun percussion, resembling a mass synchronised swimming routine. Burna Boy has elegance, grace and charisma, a magnetic aura that follows him like a shadow; he dances as if music vibrates in his bones, and gives his vocals a deep, raspy croon.
Special guests add gloss to the evening and show how highly he is regarded. There is an appearance from Burna’s fellow Afrobeats titan Wizkid; Dave sprints to the stage to spar over their summer anthem Location, and Stormzy marches out for a fervent delivery of Vossi Bop, exchanging a long hug with Burna. The evening ends with Ye, the song that has spearheaded Afrobeats’ global expansion, its soft, enticing drums and echoing, easy hook digestible for ears from all continents. He finds his groove amid the tender piano chords and leads the crowd into a hypnotic sermon, closing out a historic night for a true giant of African music.
BINNABOOK PUBLISHERS
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